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IAN BERRY
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clapping
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Print 2007-2020
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IAN BERRY
home
About
Saatchi Secret Garden
Art in Denim
Behind Closed Doors
Hotel California
The American Jean
PORTRAITS
Secret Garden
Living Room
Record Store
clapping
Zodiac Combatibility
Launderette
The Fading Fabric
Surveillance
News Stand
News
Exhibitions
Selected press
Print 2020-2021
Print 2007-2020
TV interviews
Contact
home
About
Saatchi Secret Garden
Folder: WORK
Back
Art in Denim
Behind Closed Doors
Hotel California
The American Jean
PORTRAITS
Folder: INSTALLATION
Back
Secret Garden
Living Room
Record Store
clapping
Zodiac Combatibility
Launderette
The Fading Fabric
Surveillance
News Stand
News
Exhibitions
Folder: Press
Back
Selected press
Print 2020-2021
Print 2007-2020
TV interviews
Contact
largehare_cutframe.jpg View fullsize
Blue (Copy) View fullsize
The British Public House (Copy) View fullsize
The Game (Copy) View fullsize
The Prince (Copy) View fullsize
Ready to Open (Copy) View fullsize
The Illustrated Recipe (Copy) View fullsize
Ian was more interested in the kitchens during this period though, and the game food being caught and prepared behind the scenes. This paired up with his fondness for Dutch still lifes, in which you’ll find hunting/ game scenes such as hares about t View fullsize
He found working on these still life scenes intriguingly different to his usual pieces, and adapted his techniques to allow for using the denim in a more fluid manner, as if it was oil paint. He also saw the link to the public house projects he had View fullsize
duck.jpg View fullsize
pheasant_framecut.jpg View fullsize
EL Ian02.JPG View fullsize
16 EL Ian.JPG View fullsize
largehare_cutframe.jpg
Blue (Copy)
The British Public House (Copy)
The Game (Copy)
The Prince (Copy)
Ready to Open (Copy)
The Illustrated Recipe (Copy)
Ian was more interested in the kitchens during this period though, and the game food being caught and prepared behind the scenes. This paired up with his fondness for Dutch still lifes, in which you’ll find hunting/ game scenes such as hares about t
He found working on these still life scenes intriguingly different to his usual pieces, and adapted his techniques to allow for using the denim in a more fluid manner, as if it was oil paint. He also saw the link to the public house projects he had
duck.jpg
pheasant_framecut.jpg
EL Ian02.JPG
16 EL Ian.JPG